Planning: Present Time Shot List

Shot no.	Shot/framing etc	Action	Other info/reasoning
Scene two, present time, reading diary:
1	Wide shot - establishing shot	Granddad is sitting silently flicking through his diary, stern facial expression.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of dark, simple, casual clothing, such as jean and a fleece. This is to build a personality round the granddad and shows that he isn’t particularly bothered about his appearance, also the dark colours represent a dark, mysterious side to his character. There will only be one prop used in this shot which will be the tatty, black diary.
2	Medium close up – focusing on the diary	Granddad is still slowly searching through his diary.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There will only be one prop used in this shot which will be the tatty, black diary. In this shot the audience should notice the sound of the thunderstorm in the background; this is use of pathetic fallacy as it mirrors the characters emotions.
3	Extreme close up – framing only showing granddads eye movement	Granddad slowly moves his eye up from the diary as though he has just remembers/discovered something.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume and prop in this scene aren’t visible in this shot, this is to solely direct the audience’s attention onto the eye movement. It is very important that the audience notice the granddad’s eyes moving upwards so they know the next scene is a flashback.
Scene two, present time, reading the newspaper:
4	Wide shot – framing showing all of the granddads upper half and the newspaper, but not enough for the audience to see what’s in the newspaper	Granddad is reading through the newspaper and circling things with a permanent marker.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. The props in this shot include a newspaper and a permanent marker. The shot doesn’t allow the audience to see what the granddad is actually reading in the newspaper, this hides information therefore building suspense and tension.
5	Close up – framing shows granddads hand and a little of the newspaper	Granddad is circling things in the newspaper.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. In this shot the audience will notice that he is wearing a signet ring (wedding ring), however not on the correct finger to be a wedding ring, this may lead the audience to believe that he was once married but they aren’t together anymore. This gives the audience a little more information into the granddads past. The props in this shot include a newspaper and permanent marker.
6	Medium close up – low angle	Granddad is ripping something out of the newspaper, emotion less facial expressions.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the newspaper. The shot is at a low angle to portray power that the granddad feels at this moment, the audience could believe this is due to him finding what he has been searching for (in the newspaper).
7	Medium close up – slight low angle	Granddad is bringing the ripped out piece of newspaper up to his face, possibly to read or just look closely at.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the newspaper.
8	Close up – slowly zooms in to the granddads face	Granddad is looking directly at the ripped out piece of newspaper. He will have a subtle angry emotion portrayed through his face.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the newspaper. The facial expression can be interpreted differently by the audience as we want them to build their own opinions about him.
Scene two, present time, granddad sleeping (having a nightmare):
9	Wide angle – framing will allow the doorway to be seen so the audience have more of an idea about his location	Granddad is sleeping on a bench in the outhouse, he is slightly moving his head around in anguish whilst clutching his diary.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the diary. It is now that the audience will realise that the granddad takes his diary everywhere, even sleeps with it.
10	Close up – granddads face from the side	Granddad is sleeping; he is writhing in distress from his nightmare.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the diary.
11	Wide high angle shot, zooming closer to the granddads face. The shot is head on.	Granddad is still sleeping and tossing his head around a little more viciously.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. There is only one prop in this shot; the diary. This shot shows that he is having a very unpleasant nightmare, so much so that he is trying to wake himself up.
12	Wide angle shot – granddad sitting up from the side	Granddad suddenly wakes from his nightmare, jerking into an upright position.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. This shot is to show how violently he wakes because he was so distressed at the dream with his granddaughter.
13	Cut-in shot – framing only allows the granddads feet and lower legs to be seen	Granddad moves his leg off the bench and onto the floor, then he begins to walk towards the door	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. The only prop in this scene is his diary. This shot focuses on the granddads leg movement, this is to mirror his thoughts as all he is thinking about is getting out the door.
14	Cut-in shot – framing showing his leg movement again but from behind him in this shot	Granddad walks towards the open door.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece.
15	Extreme close up – framing is only showing the granddads feet, then only his heel is left in frame	Granddad steps outside, slowly/calmly.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. This hot build tension in the audience as they haven’t seen the granddads facial expression since he was asleep, they are unaware of where he is going and why.
16	Close up – framing shows just the granddads face from the side	Granddad is calmly looking around with a peaceful facial expression.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. This hot tells the audience that the granddad is less distressed about the disappearance of his granddaughter, however they’re unaware as to why.
17	Close up – framing shows bottom left half of the granddads body	Granddad is dropping/throwing the diary on the floor.	The location of this shot is in an abandoned outhouse (which will be an outdoor changing room in Woolpit). The costume for the granddad will still consist of simple casual clothing, such as jean and a fleece. The only prop in this scene is his diary.
18	Medium close up – slowly zooming in on the diary	The diary falls open and the camera slowly zooms closer	The prop in this shot is the diary which the audience are seeing the inside of for the first time, the camera slowly zoom in to give the viewers time to piece together all the information and form opinions about what’s going on.